Sunday, September 29, 2013

We Own the Night



A Plot Threadbare from Overuse
WE OWN THE NIGHT is the quote from the lower portion of the badge on the uniforms of NYPD police family Deputy Chief Bert Grusinsky (Robert Duvall) and one of his two sons Capt. Joe Grusinsky (Mark Wahlberg): the other son Bobby (Joaquin Phoenix) did not follow the family tradition of police work but instead is involved in nightclubs - and yes there is a schism of resentment. Bobby has distanced himself further from his family by changing his last name to 'Green', living with a Puerto Rican girl Amada (Eva Mendes), and bonding to a wealthy Russian family who owns the nightclub where Bobby works - a front for a drug dealing business. Writer/Director James Gray ('The Yards' and 'Little Odessa') has a feel for this underbelly of New York City and captures the 1988 mood of life in the city and beneath the city with style. The problem with the story is that it has been done so many times that it is simply stale yesterday's lunch. Two brothers at opposite end of the family spectrum...

Both sides think they own the night
The film is covering well known territory, and it doesn't bring totally new aspects into it. Just a normal "New York cops versus gangsters" flick, imagine a cross of the Departed and Eastern Promises.
We all know that in the 90s, Mr.Giuliani singlehandedly and famously cleaned up NYC (unless it really happened differently, eg via the mechanisms mentioned in Freakonomics). Before his magic touch saved the city, it appears that NY cops were the laughing stock of the streets. Gangsters were in control, it seems.
What we have here, set in 88, is a confrontation between a Russian drug ring and the cops, among whom the father and son team Duvall/Wahlberg is prominent. They have a prodigal son/brother (Phoenix), who happens to work as a night club manager for the Russians and has a Latina girl friend (Mendes). You see right away where this is leading, but then, no, you don't quite. The script succeeds in avoiding overdone predictability. With hindsight, no big surprise happens, but...

interesting plot and fine Joaquin Phoenix performance
***1/2

Taking its title from the motto engraved on all NYPD officers' badges, "We Own the Night" is essentially the Prodigal Son story transplanted to the mean, crime-ridden streets of New York City. Robert Duvall is Burt Grusinsky, a high ranking police chief with two sons, one "good" and the other "bad." Joseph has eagerly followed in his father's footsteps by becoming a captain on the force, while Bobby wants nothing whatsoever to do with the police and, in fact, spends much of his time running around with the unsavory drug dealers who frequent the lucrative nightclub he successfully manages. It isn't until one of those associates has Joseph shot after a narcotics raid on the club that Bobby learns where his true loyalties lie. He agrees to go undercover for the force to unmask the identity of the shooter and bring down the Russian drug cartel that set Joseph up.

At times, while watching the movie, I kept thinking that writer/director James Gray had simply...

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